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Tevo Howard & Nima Khak (1:53.2)
Nima Khak has previously released deeper techno cuts on labels like H-Productions, Drumcode, ISL and just recently a release true to the 1:53.2 philosophy pushing the limits of what should be expected from the artist’s normal work. Unlike his previous productions you find a more laid back housey sound in this release.
The A-side track Searching All Around (for you) is a housey love song that is an absolute killer for those early morning hour sets. The first track on the flip side is Bitter Sweet, a deeper dreamier track that showcases Khaks more mellow side.
On A Tribe Called Quest, Nima Khak goes in to a more experimental territori, exploring a darker side of his sound.
We look forward to Nima at Berns Gallery 2.35:1.
“I started to DJ at roughly thirteen or fourteen years old, putting us back to about 1987. After a knee injury in a skateboard accident (I wiped out) in 1987, I found myself sitting at home, bored, and with little interests other than skateboarding and music. With skateboarding out of the picture, I could only gather to mess around with the turntables that sat in the room my brothers and I all shared. I remember thinking that being a DJ was a hobby that wasn’t either illegal, or dangerous, and that it would be fun to DJ my own music as opposed to my brother’s music. I walked down to Gramaphone Records, which was about 10 blocks away, and bought one record. I had no idea what was about to happen.
Needless to say, it became an addiction. At 14 I had the goal of one crate. My brother had already collected ten crates, and I was determined. I found myself at Gramaphone and Wax Trax picking up current day gems with my lunch money. It became one record a day. I am grateful to have Grown up in the Chicago record scene, because it provided a medium to apply my curious mind as a young musician.
Musicianship has always been something I’ve loved, or that is, I’ve been truly in love with instrumentation since the violin at age 7. Instrumentation, in fact, has never left my life. Today, my instrument is the bass guitar, because it is the instrument that I am most skilled at playing.
I transfered to the City Colleges of Chicago in 1994. It was then that I met two good teachers that taught based on two concepts: First, if you jump in, you’ll probably learn to swim; and second, if you try hard, you’ll probably swim well. Michael Holian, the dean of music at the time, informed me after my first couple of classes that I would be playing contra-bass (Upright Bass) in the college orchestra. Those were my favorite days as a student.
I took a break from all music application from 1997 through 2004. Circa 2004 and 2005, I entered Law School, and as well began to DJ on the turntables that I had never sold (They were then almost 20 years old). As I studied an array of subjects and pursued several degees before my full return to music (this includes a B.A. in International Studies at DePaul University), I found myself one day in 2006, headed to class to get the rest of my M.A. in Writing at DePaul, and yet, unable to get out of my car. I remember reaching for the latch several times, but ultimately deeming that I did not believe in the teaching philosophy of Depaul’s M.A. in Writing program. So, I started the car again, and went home. It was that day that I began to build my studio, Beautiful Granville Studios.”
Deep inside, I know well that I am only at the beginning of my career.”